Orchestral Music: How well synchronised in time do musicians have to be to sound as if they are playing together?
Last Updated: 24.06.2025 07:31
I recall a single English Horn entering a millisecond before their due admittance at the outset in a recording of Wagner's “Ride of the Valkyries”. Not only this, but his/her assigned tremelo was to be from C#—D Natural, (Concert F#- G natural before transposition). The performer instead quavered between a C#—D#, (Concert tones F#—G# before transposition). The errant reading by the Hornist was impermissible and the recording should have been halted and begun anew. Yet, it was not. Worst recording ever.
Perfectly, in the ordained time.
I remember, also, a single Violin holding an E6 far longer than notated in the finale to Wagner's Overture to “Tannhauser”. As the Violin figures in this Overture are among the best ever written, I found forgiveness in my Musical heart.
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Aside: Wagner FOREVER!
Pay attention to what's written and placed before you, fellow Musicians. It’s YOUR/OUR JOBS!! (Unless your part/passage is demarked as ad-libitum..”at you liberty’ or a piacere—”at your pleasure”, submit to the notes written and their proper duration in hold!).